5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. Tumne mujhe badal diya Dean.įrom sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: Tumhe pata hai, jab se hum mile, jab se meine tumhe nark se bahar nikala, hamari mulakat ne mujhe badal diya, kyon ki tumne parwah ki, mujhe tumhari parwah thi, mujhe Sam ki parwah thi, mujhe Jack ki parwah thi, mujhe is poori duniya ki parwah, tumhari vajah se thi. Tum is duniya mein sabse parvah karne wale insaan ho, aur sabse nihswarth vyakti ho jisse mein kabhi jaan paunga. Tumne jo sab kiya hai, bhala aur bura, tumne pyar ke liye kiya hai, tumnne apne chotte bhai ko prem ke liya pala, tumne pyar ke liye poori duniya ke liye ladai ladi, vo tum ho.
![kyun na hum tum kyun na hum tum](https://i.ytimg.com/vi/Xj6yUe70CpA/maxresdefault.jpg)
Mein janta hoon ki tum svayam ko kaise dekhte ho Dean, tum apne aap ko us hi tarah dekhto ho, jis tarah hamare dushman tumhe dekhte hai, tum vinashkari ho, tum toote huye ho, tum krodhit ho, tum apne pita ke kund yantr ho, tumhe lagta hai ki dvesh aur krodh tumhe prerit karte hai, ki vahi tumhari ruh hai, par vo nahi hai, aur jo bhi tumhe janta hai vah ise pehchanta hai. Kisi ki sacchi kushi, use paane mein nahi, vah sirf use kehne mein hai, vah sirf hone mein hai.
![kyun na hum tum kyun na hum tum](https://1.bp.blogspot.com/-cB5cvaPfUZM/UENM_chiW8I/AAAAAAAACBY/zsxPf86T_LA/s1600/s07.jpg)
Mujhe kabhi koi uttar na mila, kyonki meri jo ek akanksha hai, wo mein kabhi nahi pa sakta, par mujhe lagta hai, mujhe lagta hai ki main ab janta hoon.
![kyun na hum tum kyun na hum tum](https://bollywoodsheetmusicbooks.files.wordpress.com/2012/10/a473a-kyonnahumfrombarfipiano-2.jpg)
Tumhe pata hai, jab se meine vo bojh uthaya, vo shrap, mein soch mein pad gaya, ki vo kya ho sakta hai, mera saccha sukh kaisa dikh sakta hai.